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School, group, period Tuscany, 1498. Original location Bichi Chapel in Church of Sant'Agostino, Sienna (Italy). Shape See 'Subject'. Dimensions See 'Whereabouts of Fragments'. Paint layer Distemper. Support Wood. Subject A statue of Saint Christopher was in the centre. A little further back there were two pictures with two groups of nude figures. In front on the left. Saint Catherine of Sienna, Saint Mary Magdalene and Saint Jérôme; on the right. Saint Augustine, Saint Catherine of Alexarulrla and Saint Anthony.

This work, by a Flemish artist, was painted in Paris and has long formed part of the French cultural héritage. There are two studies of it one by J. Lavalleye, in this article, and another by G. Thuillier, in 'Disrnembered Works of Art French Painting'. The dossiers established by thèse two authors one Belgian, the other French reflect points of view that differ considerably. They provide a great deal of additional information and we therefore felt that both should be published. ) 55 Disrnembered works of art Nailed to the Cross, which is in London, was situated in a historical framework: Gérard David therefore placed on each side of it a panel in which the witnesses explain the main thème: Jewish Judges and Roman Soldiers, and The Virgin, Saint John and Holy Women, now in the Muséum of Antwerp.

79-89. Antwerp. 1968. National Gallery Catalogues, Early Netherlandish School. 3rd éd. p. 169-70. London. Iconography M. Davies, op. cit.. , No. 57 (4), Plates CCCLXXXIX-CDIII (before clean¬ ing); The National Gallery, January 1955 to June 1956, Fig. 7, London, 1956 (photo¬ graphs by Calouste Gulbenkian Founda¬ tion). Illustrations / Saint Mary Magdalene Reading, National Gallery, London. [Photo: ACL, Brussels, No. ] 2 Head of Saint Joseph, Calouste Gulbenkian Foundation, Lisbon. [Photo: ACL, Brussels No.

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