By Brandon, Laura
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Additional info for Art and war
Art, however, did not often record these battles at the time. The Renaissance The Renaissance in Italy, beginning in the fourteenth century, marks a turning point towards a more creative era. It saw a number of artistic innovations, both iconographic and technical, particularly in painting. In terms of iconography, we encounter military portraits, genre scenes, and battle paintings of a type not seen in any medium since classical times. The Renaissance also introduced a great age of religious painting and over time transformed the iconography of war art, particularly as it is employed in the twentieth century.
13 Canada’s official war art programme remains the visual measure of the country’s wartime achievement. The model for the British and Australian schemes in both the First and Second World Wars, it produced nearly 1,000 works by over 100 artists, only a third of them Canadian, most of the balance being British. Not only does it powerfully capture Canada’s part in the conflict, but it also helped shape the development of Canadian art. Much of the familiar landscape art of the celebrated Group of Seven, for example, owes its genesis to what members saw and recorded in the mud and trenches of the western front in France and Belgium.
He experienced the battlefield as an ambulance driver, and what he saw of the human dimension of war made it harder and harder for him to reduce it to purely mechanistic art. In Returning to the Trenches (1914), columns of blue- and red-garbed, rifle-toting soldiers march left across the picture plan, echoing Marcel Duchamp’s Nude Descending a Staircase No. 2 Such canvases obtained Nevinson work as a British war artist, but he did not produce what programme officials expected. 3 The style is distant from futurism and broadly traditional.