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By Polly Williams

"British writer Polly Williams makes use of a wide solid of characters, whose tales crisscross, to weave a vibrant story of moment percentages and discovering precise love."
--USA Today

"Williams's infectious romp exhibits what occurs prior to a girl surrenders to good maturity. the radical packs loads of laughs and grants a snazzy payoff within the final bankruptcy. Take this one to the beach."
--Publishers Weekly

"This attractive moment attempt from Williams is choked with juicy twists of destiny and karmic encounters. Shunning the conventional boy meets lady and lives fortunately each after formulation, Williams treats readers to moment probabilities and hard-won successes at the battlefields of love."
--Kirkus Reviews

Right time. correct gown. correct man

The writer of The Yummy Mummy returns with a gleaming, hilarious examine what occurs in case you meet the incorrect guy on the correct time.

Two weeks prior to her marriage ceremony, Stevie Jonson, a profitable photo clothier in her mid-thirties, has acquired severe jitters. Is she eventually turning out to be up, or compromising horribly In love or in denial Her teenage weigh down (aka the one who received Away) is again on the town, a reminder of every thing her fianc is not, and that niggling little voice in her head is getting louder the entire time.

By the time Stevie steps into her Nineteen Thirties classic marriage ceremony gown for the final becoming, her existence is coming aside on the seams. A undesirable Bride's Tale is a grown-up love tale approximately marrying, mating, compromising...and how love does not have a timetable.

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Sample text

Just nothing is . ” Stevie feared if she voiced her doubts that would give them more substance. ” Stevie searched the stray threads on the floor for an answer. “Well . . I . . ” She looked up. ” “Wedding nerves? ” “No. ” She managed a smile. “They’re not huge doubts, you know. ” Lara tried hard to understand. But she’d never come close to getting married. She’d had two proposals, turned them both down. She was having far too much fun being single. ” Stevie muttered, partly to herself. “Is the magic still there?

Stevie stood up and pulled Sam toward her, his hair springy against her neck, his skin smelling vaguely of cologne and hot, fried things. She felt it was like hugging part of her twenties good-bye, hugging all the men she’d liked but never explored, all the paths not taken. She watched as he walked—now in his thirties, Sam no longer felt the need for a hip-hop swagger—with the sun on his boyish back, up the stony garden path, past the newly tended beds and the apple and pear trees, to the door to the steamy kitchen, where Patti lay in wait with a box of organic Medjool dates.

Stevie was part of the nerdy, slightly gothic, not hugely physically attractive group. Sam was the alpha teenager. Still, on weekends, and in pubs in town, Sam and Stevie discovered that they had more in common than their opposing shoes—Sam, Adidas; Stevie, buckled black boots à la the Cure’s Robert Smith—might suggest. They shared an interest in art. They made each other laugh. Their mothers were good friends. They had a connection of sorts. But in their twenties, they had drifted apart. Sam spent a year in America, becoming, in Stevie’s eyes, more cosmopolitan and worldly and glamorous than ever.

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