By Jane Dowson
This is the one monograph to contemplate the complete thirty-year occupation, guides, and impression of Britain's first lady poet laureate. It outlines her influence on traits in modern poetry and establishes what we suggest through ‘Duffyesque’ matters and methods. Discussions of her writing and actions end up how she has championed the relevance of poetry to all parts of up to date tradition and to the lifetime of each individual. person chapters speak about the lyrics of ‘love, loss, and longing’; the socially stimulated poems concerning the Eighties; the female-centred volumes and poems; the connection among poetry and public lifestyles; and poetry and early life and written for kids. The booklet may still whet the urge for food of readers who be aware of little of Duffy’s paintings to determine extra, whereas delivering scholars and students with an in-depth research of the poems of their contexts. It attracts on a variety of serious works and comprises an intensive record of additional reading.
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Extra info for Carol Ann Duffy: Poet for Our Times
The times it hurts are when we grab the moment for ourselves, nearly – the corniest sunset, taste of a lover’s tears, a fistful of snow – and the bankrupt feeling we have as it disappears. S. Eliot’s The Waste Land (1922), accentuating the chilling sense of both a barren internal terrain and a collapsing culture. ‘Place your bets’ indicates the fear of a controlling Fate that at best is indifferent and at worst ‘rigs’ things against us. If we follow the syntax, in Duffyesque fashion the ‘nearly–’ operates both at the end of one line and also at the start of the next to undercut the fulfilment of the good moment while also confronting its fleeting temporality.
Always have, always will, in vastly changing material circumstances which poetry must, of course, always take full account of. … The language of poetry, the means by which its common stuff is realized, is not common. At times the language of poetry has been very far removed from common speech; at present, most often, it may approximate to it. But it never was and never will be common speech. It is other, and has to be. (2004) In the Preface to her anthology, Out of Fashion, in which she invited fifty contemporaries to choose a poem from another time that concerns itself with dress or fashion to put alongside one of their own, Duffy gives her rather similar, if rather unfashionable, view of poetry: ‘A poem if you like, is the attire of feeling: the literary form where words seem tailor-made for memory or desire.
In retrospect, Duffy can be seen as a major component in this continuing expansion. Along with Simon Armitage, she dominated the 1994 New Generation Promotion that consisted of twenty poets under forty who gave live readings around the country and on the media. In his editorial to a special ‘New Gen’ Poetry Review, Forbes linked literary with social pluralization: ‘In England especially, the ’80s was a time of social atomization—after all, it was official government policy. The centre could not hold in anything.