By Clarisse Thorn
There's an incredible tradition of guys who exchange suggestions, tips, and strategies for seducing girls. in the final ten years, those underground "pickup artists" have burst into the preferred awareness, aided by way of Neil Strauss’s bestselling e-book "The Game" and VH1’s hit fact express "The Pick-Up Artist."
Some males within the seduction neighborhood are sleazy misogynists who wish not anything greater than strength and regulate. a few are shy wallflowers who don't know the way to claim hello to a woman. the single factor all of them have in universal is a using have to allure women.
Clarisse Thorn, a feminist S&M author and activist, spent years learning those men. She saw their discussions, watched them in motion, and realized their techniques. through the top of all of it, she'd given a lecture at a seduction conference and made up our minds opposed to changing into the following nice courting trainer. In "Confessions of a Pickup Artist Chaser," Clarisse tells the tale of her time between those Casanovas, in addition to her personal unorthodox stories with intercourse and relationships. She examines the conflicts and harmonies of feminism, pickup artistry, and the S&M group. such a lot of all, she deconstructs and reconstructs our perspectives on intercourse, love, and ethics — and develops her personal grand thought of the sport.
Read or Download Confessions of a Pickup Artist Chaser: Long Interviews with Hideous Men PDF
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Additional info for Confessions of a Pickup Artist Chaser: Long Interviews with Hideous Men
You’re luckier than most every other woman in the world” (181). A home, child, security, and not getting beaten are supposed to be enough for women. But they are not. In contrast to Bobbo who escapes to work, Ruth has no relief from suburban life and no place to which to retreat, because, as Marjorie Ferguson notes in Forever Feminine, “a woman’s world was finite, bounded by the traditional task division which assigns child and home-care exclusively to her” (55). Life in the suburbs is, to invoke the title of Weldon’s second novel, life down among the women; it is an all female world.
No matter how the household might depend upon her income, her working outside the home was seen as a kind of wilful, self-indulgent act: her true role was as a home-maker. A man who did housework or cooked, likewise, was despised. Male and female, we all busily 59 In an interview, Weldon comments on how work affects household dynamics: “You do find in a household that it’s not male or female that determines the arrangement, it’s econom ics” (Lipson 115). On a more cynical note, W eldon comments on what ludy Forrest describes as “male tyranny”: “Women today have economic power because men want them to work.
Remarking on this trend in the United States, David Farber notes that “By 1960, tranquilizer consumption, most o f it by women, had soared to over a million pounds a year” (249). 46 In The Fat W oman’s Joke, there is the suggestion of serious domestic discord under the placid surface: “Phyllis Frazer’s living room was rich, uncluttered, pale, and tidy and serene. Yet its tidiness, when the Wellses arrived, seemed deceitful, and its serenity a fraud. The Frazers, like their room, had an air o f urbanity which was not quite believable.