Download Ink-Stained Amazons and Cinematic Warriors: Superwomen in by Jennifer K. Stuller PDF

By Jennifer K. Stuller

During this accomplished background, inquiry, critique, and reference advisor, Stuller argues that Superwomen, from ask yourself lady to Charlie’s Angels, are greater than simply love pursuits or sidekicks who stand by means of their supermen. She indicates how the feminine hero in sleek mythology has damaged during the conventional boy's membership barrier to bare the pivotal position of high-heeled crimefighters in pop culture. bankruptcy subject matters comprise love and compassion, spies and sexuality, daddy’s ladies, and the complex roles of superwomen who're additionally moms.

The booklet additionally encompasses a thesaurus of recent mythic girls, in addition to a foreword through acclaimed cultural commentator Roz Kaveney, writer of Superheroes! Capes and Crusaders in Comics and Films.

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Additional info for Ink-Stained Amazons and Cinematic Warriors: Superwomen in Modern Mythology

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The inclusion of Majel Barrett as Number One, the ship’s first officer, in the original pilot, “The Cage,” did not sit well with network executives who weren’t comfortable with depicting a woman so high in rank. Fearing Roddenberry’s subversive approach would be offensive to audiences and advertisers, a second pilot was filmed, this time with both a new captain and a male first officer. Barrett, who would later marry Roddenberry, was now recast in a more feminine role as ship’s nurse. Nichelle Nichols was cast as one of the series’s main characters, Lt.

8 Roddenberry may have had a progressive vision of the future, let alone his present, but National Broadcasting Company (NBC) executives weren’t keen on giving such a colorful crew what they considered to be excessive screen time. While promises were made that Sulu (George Takei), Uhura (Nichols), and Scotty (James Doohan) would feature prominently in future episodes, these turned out to be mere placations when the network stuck to a more familiar formula in which two or three men served as focus characters—in this case, Captain Kirk (William Shatner), Dr.

People shouldn’t be treated as any kind of object! We don’t consume human beings the way we do noodle soup. Or at least . . we’re not supposed to. 50 The title lasted only four issues. Perhaps the failure was a symptom of reader response, or lack of sales. Or perhaps it was simply that the artists and writers were too busy with other projects. The first two issues had been drawn by Marie Severin, but when she took over as head of the coloring department, she had no more time for The Cat. ”51 The Cat could have been a complex representative of superwomen, and an inspirational role model.

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