By Frank G Jackson
Принципы и практика построения орнамента. В основном рассматривается растительный орнамент.
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Now design. So much for elementary principles. a word as to their value in the practice While they are of great importance, at of the same time too much must not be expected of them. They do not supply rules necessity produce the use of which good ornament ; but, must of on the other PLATE. 2S2S2- 2 3 4 5 6 Fig B. G 0. RAO\AllOK >l\ovi A II PLATE APPLICA T10NS OF PRINCIPLES. hand, humble services should not The their 23 be ignored. many over-estimation of these few principles leads The unwisdom of adopt- to doubt their value altogether.
Ruskin's not given, wanting which, we will examine one or two matters connected with, or involved argument before us. friend claims too much that the essence of contrast, series, (1st) for a It in three things He claims which they can only aid all of the be seen that the will ornament consists while the professor denies too them nor in, few principles by saying and symmetry. to produce that of lines for rules ability in developing ; much by saying none them together will produce orna- PLATE IY Fig A.
In the later examples of prehistoric decoration, the severer patterns formed of straight lines give place to others formed of curves. The zigzag, so common to LIXEAR 38 Art, early subsequently becomes softened, developing into wave, scroll, in ORNAMENT. and spiral The changes lines. arise manner this I * v the angles are rounded off; after- first, wards, the other portions of the line between the curved On many angles are softened and graduated. belonging to prehistoric Art are and lines selected and used as certain sacred signs, afterwards duced ornaments almost, if figures emblems of These signs were impressed, primitive religions.