By Carmen Pearson
Modernism and Mildred Walker is the 1st full-length serious learn of the main fictional works of this American writer whose existence spanned the 20 th century (1905–98) and whose literary creation spanned virtually three-quarters of a century. A very hot chronicler of recent England and the yank West, she can be preferred for her portrayal of girls characters and the complexity of women’s roles. lengthy loved by way of readers of Montana fiction, Mildred Walker’s novels were pushed aside through a few critics as in basic terms of local curiosity, and, as Carmen Pearson argues, haven't been explored and liked from different severe views and through different audiences. In this persuasive new learn, Pearson bargains a brand new and decidedly western interpretation of Modernism as a severe instrument and proposes numerous readings and interpretations designed to stress the connection among cultural creation within the West and modernism. She encourages readers and scholars of literature to reappraise Walker’s paintings and to adopt extra serious stories in their personal. (20090101)
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Extra info for Modernism and Mildred Walker
The novel’s other protagonist, Tiresa, a dying English professor, makes sense of her world by reading Keats, Chekhov, and other authors and by spending her last days trying to write—similar to the author herself. It is no coincidence that Ripley Hugo titled her mother’s biography Writing for Her Life. 10 the life and work of mildred walker Perhaps Walker captured her own feelings on the importance of the written word best when, in her later years, she discussed her father with her daughter. She told Ripley that her father was the biggest inﬂuence on her writing and that, as a young girl, with pen in hand, she had sat on the ﬂoor of his ofﬁce while he wrote his weekly sermons and had imitated him.
S. society. Moreover, the effects of Darwin’s and Nietzsche’s theories can be located in Walker’s characterizations of the New Woman and the increasing secularization of American society. Freud’s interest in the use of self-referentiality, memory, and dreams is addressed in the chapter on Walker’s aesthetics. Saussure’s theories on language and its unreliability are addressed in the discussions focusing on the novelist’s quest for sharing meaning through literature. The effects of Einstein’s theories on time and relativity inform the discussion examining Walker’s use of alternating narrative perspectives, her use of psychological rather than chronological time, and her underlying anxieties concerning scientiﬁc exploration.
Her work is not pessimistic. Because of this, she is different from many well-known modernist writers. In fact, in viewing modernity as a mixed blessing, offering both new opportunities but also new forms of ensnarement, Walker’s perspective is similar to that of many minority writers. Alice Gambrell, in Women Intellectuals, Modernism, and Difference: Transatlantic Culture 1919–1945, recognizes this same awareness of both modernism’s new-found opportunities and its challenges to individuals who were part of these modern social upheavals in the work of Zora Neale Hurston, Ella Deloria, Leonora Carrington, H.