Download Placing Shadows, Third Edition: Lighting Techniques for by Chuck Gloman, Tom LeTourneau PDF

By Chuck Gloman, Tom LeTourneau

A mixture of thought and functional purposes, putting Shadows covers the actual homes of sunshine and the choice of right tools for the very best influence. For the scholar, complicated novice, and execs attempting to improve the glance in their productions, this publication examines the basics and can also be an outstanding reference for tips about greater functionality. * seriously illustrated in complete color!* Covers the basic homes of sunshine in addition to many counsel and methods* comprises up to date apparatus and strategies resembling lighting fixtures for top Def, HMI lighting fixtures, and so forth.

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Additional info for Placing Shadows, Third Edition: Lighting Techniques for Video Production

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White is the reference used in the auto white balance procedure. A similar situation holds true with a color monitor. The technician should begin the setup by making sure the set is properly converged so the red, blue, and green guns are not misaligned. Once that is accomplished, continue the setup procedure using a monochrome or blackand-white signal. A gray scale generated by a signal generator is preferred, but if you do not have a test signal generator, you can play back a videotape of a black-and-white movie or a gray scale produced by a signal generator.

The transmission of half blue is 52%. This polyester-based material comes in rolls 100 feet long by 48 inches wide. It is optically clear, does not affect color temperature, and can be reused many times if properly cared for. Static cling will usually be strong enough to hold the sheet in place on a small window. Larger sheets can be taped in position. 9ND to reduce the light source by 1, 2, or 3 stops. If there are other windows in the room, off camera, their light can serve as general fill or can be bounced into dark areas of the scene with a reflector without any color correction.

Fluorescents presented a substantial problem. Though they were developed back in 1867 by Becquerel, they did not appear on the consumer scene until the 1940s. Even then they did not receive wide acceptance. One of the first wide uses was in supermarkets because of their need to light large areas evenly. Store owners complained to lamp manufacturers that fluorescents made the meat look blue, and that oranges and other produce looked bad. As a result, the tubes were redesigned to correct these problems.

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